As it’s classic horror month, here’s an older article submitted for the 2018 Great Hammer-Amicus Blogathon. It was fun to write and of course the film is fun to watch.
by Paul Batters
During the classic era of cinema, it is indisputable that Universal was the master of the horror film. They would introduced to audiences iconic monsters that are known and loved and in Lugosi, Karloff and Chaney (Snr and Jnr) gave us wonderful actors who themselves became deserved icons of the silver screen. When the first cycle of horror films began in the early 1930s, high production values and story development were key with directors such as James Whale and Tod Browning, as well as the cinematography of the brilliant Karl Freund, shaping now classic films. By the 1940s, however, not only had production values changed but audiences had as well, and what were initially quality films became arguably less so, with more of an exploitive approach that sought to capitalise on ‘monster combinations’. The final nail in the coffin (excuse the pun) was the Universal pantheon of…
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