A Patch Of Blue (1965): Overcoming Adversity And Despair

As we remember the great Sidney Poitier, I thought it worthwhile re-blogging this article on A Patch Of Blue. There are other films starring the great actor – some of far greater importance, depth and nuance – but Poitier’s performance in A Patch Of Blue exhibits his range, emotional content and delivery that illustrates his professionalism as well as his great talent.

Thank you Sidney Poitier for your wonderful presence not only on film but in life, and the richness you gave us all with your beautiful presence.

Silver Screen Classics

by Paul Batters

patch-1280Selina D’Arcy: I said what I did because I love you so much.
Gordon Ralfe: I know why you said it. I’m glad you said it. You brought me back to Earth.
Selina D’Arcy: I didn’t want you to come back to Earth. I wanted you to make love with me.

Hollywood is often accused (and not without good reason) of focusing on the glamorous and dealing in illusion. At the risk of stating the obvious, the very nature of art is illusion and any attempt to portray reality is going to be limited by or affected by the perception of the artist and the creative elements at their disposal. Yet within those bounds is a near infinite array of methods in portraying a narrative. Even the attempt to portray the harsher realities of the life experience are fraught with difficulty and the aim of the film-maker…

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Dracula, Prince Of Darkness (1966): Hammer Horror In Full Colour

As it’s classic horror month, here’s an older article submitted for the 2018 Great Hammer-Amicus Blogathon. It was fun to write and of course the film is fun to watch.

Silver Screen Classics

by Paul Batters

Dracula-Prince-of-Darkness-featuredDuring the classic era of cinema, it is indisputable that Universal was the master of the horror film. They would introduced to audiences iconic monsters that are known and loved and in Lugosi, Karloff and Chaney (Snr and Jnr) gave us wonderful actors who themselves became deserved icons of the silver screen. When the first cycle of horror films began in the early 1930s, high production values and story development were key with directors such as James Whale and Tod Browning, as well as the cinematography of the brilliant Karl Freund, shaping now classic films. By the 1940s, however, not only had production values changed but audiences had as well, and what were initially quality films became arguably less so, with more of an exploitive approach that sought to capitalise on ‘monster combinations’. The final nail in the coffin (excuse the pun) was the Universal pantheon of…

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The dark brilliance of Val Lewton: RKO’s Other Genius

Recently during the lockdown here in Australia, I’ve been re-watching the brilliant films of Val Lewton. There’s so much more I could add to this article written in 2016 but thought it was worth re-blogging at any rate, in honour of this underrated cinematic genius.

Silver Screen Classics

8638692_f1024‘There is no beauty here, only death and decay’ – Paul Holland ‘I Walked With A Zombie’ (1943)

So another Halloween has passed by, where people not only decided what to wear at parties (or when trick-or-treating) or what party to go to but also what horror films to watch. TV horror marathons ensued, playing everything from classic Universal to 50s sci-fi to slasher films. It’s always an interesting time from the point of view of film fans, as we get to share with others our favourite classic (and not-so-classic!) horror films. It’s always interesting to read must-see lists and top ten lists of all kinds. At times, we even discover something new – perhaps a gem from the past that we overlooked or a little-known film that finally gets some notice.

I’ve been looking at a number of lists, posts and articles on Halloween horror viewing across a range…

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